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This disdain is apparently shared by many operatic opinion leaders, but it makes little sense to those ordinary operagoers who know the work well from live performances or recordings and have found much to enjoy in it.

A Short History of Opera - Donald Jay Grout - Google книги

The almost identical wording "which" having been changed to "that" can be found in the present edition p. For a book aiming to give a basic grounding in opera, A Short History of Opera demonstrates a peculiar, or at least highly individual, sense of proportion.


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Thus the coverage of Verdi in the fourth edition is quite a bit less than I expected fourteen pages for Verdi, versus nineteen for Gluck and thirty-six for Wagner. A comparison of the treatment afforded to Verdi and Wagner illustrates this point dramatically. Each of the three early Wagner operas— Die Feen , Das Liebesverbot with only cosmetic changes between the first and fourth editions , and Rienzi —gets at least a full paragraph.

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History of Opera 1 – Origins

This entry was posted in Greensboro Symphony Pops Concerts. Also in the first edition, Grout displayed a much less understandable disdain for Flotow's once extremely popular Martha. This disdain is apparently shared by many operatic opinion leaders, but it makes little sense to those ordinary operagoers who know the work well from live performances or recordings and have found much to enjoy in it.

The almost identical wording "which" having been changed to "that" can be found in the present edition p. For a book aiming to give a basic grounding in opera, A Short History of Opera demonstrates a peculiar, or at least highly individual, sense of proportion. Thus the coverage of Verdi in the fourth edition is quite a bit less than I expected fourteen pages for Verdi, versus nineteen for Gluck and thirty-six for Wagner. A comparison of the treatment afforded to Verdi and Wagner illustrates this point dramatically.


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Each of the three early Wagner operas— Die Feen , Das Liebesverbot with only cosmetic changes between the first and fourth editions , and Rienzi —gets at least a full paragraph. Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves.

Built on the Johns Hopkins University Campus. This website uses cookies to ensure you get the best experience on our website.